Preview: IC Jaucian's robot drone for Transi(en)t Manila

Here's a little preview of Philippine artist Ian Carlo Jaucian's work in progress for Transi(en)t Manila. Behold the robot drone! 

Post by Ian Carlo Jaucian.

The "Gait Creeper" is a cellphone controlled crab drone. IC describes his project as a "4-legged walker. can be remote-controlled by any Android phone with the free mobile app Ardudroid (free from Play Store). Connects via bluetooth. Uses a Gizduino (Arduino clone) microcontroller and a sh**tload of batteries. Various movements/gaits possible in 2 axes. 

Next week, GAIT CREEPER will evolve into LASER CRABBER, a larger quadruped with improved walking ability and equipped with a burning laser, capable of various deeds such as laser-etched graffiti, arson and DIY cataract removals."

IC Jaucian will also be at the College of Saint Benilde's School of Design and Arts on 27 November, at 10:30AM to 12 noon. 

His drone project will be open to the public starting at 10AM, with a curator's walk through at 2PM on 29 November at the Calvo Building in Escolta. 

This project is a part of Transi(en)t Manila in Escolta, the final installment of Project Glocal, hosted by 98B COLLABoratory. 

Opening: Kok Yoong Lim

Kuala Lumpur based Malaysian artist Kok Yoong Lim works with new technologies to explore and investigate the human dimension of technological development and discourse. Most of his works take the form of (interactive) installation.

Kok Yoong Lim was in Manila last September to give his artist's talk, and also to explore and get inspired by Escolta and its environs.

Check out what he has in store for Manila when his installation for Trasi(en)t Manila opens at the Juan Luna Building in Escolta, Manila on 22 November, Saturday.

Read what Kok Yoong Lim has to say about his art and philosophy during his previous artist talk here.
To find out more about the artist and his works, check out his website here.

The Project Glocal Experience

Sounds like a band name. But we really just rock! 

What is it like to mount a project that gathers multiple international artists to participate in lightning residencies creating site-specific art in towns and cities and spanning several years and themes? 

It's definitely not an easy task, but Project Glocal's various iterations prove that it's possible and doable.Listen in on the conversation as Marika Constantino, Fiona Lee and Joey Berenguer share their Project Glocal experience from their own different vantage points. Marika is this year's Project Glocal manager; Fiona is a Hongkong artist participating in Transi(en)t Manila; and Joey Berenguer is the host for Juan Luna Building in Escolta, which is one of the activated spaces in Transi(en)t Manila.

To amplify the experience, the documentation of Transi(en)t Taipei and Penang editions will be screened at 4PM. 

Join them on 22 November, Saturday. The talk starts at 3PM. Screening will be at 4PM. All at the Juan Luna Building. 

Artists Talk: Concepcion + Huang

Doubleheader Friday

It's a doubleheader this coming Friday! 

Two of our Transi(en)t Manila residents are giving their artists talk at 98B COLLABoratory on 21 November, Friday. 

Taiwan-based Po Chih Huang attended graduate school at the Taipei National University of Arts. His past works were mainly paintings and graffiti, but he is now more interested in video works which explore the relationship between enterprise, economic conditions and self-organization. His talk will start at 3PM. 

Ernest Concepcion has a degree in Fine Arts from the University of the Philippines. He has since moved to the US in 2002 and participated in art residencies in New York and Beijing. He is now a full time artist dividing his time between Manila and Brooklyn. Ernest will launch his work for Project Glocal and give his talk at 430PM. 

Activated Spaces Activate!

You know where to find us. 

Project Glocal's theme for Transi(en)t Manila is making art with technology in heritage spaces. And there's nothing more appropriate that making things happen in Manila's Queen of Streets, Escolta. 

So for the duration of the program, most of the installations, talks and activities can be found in the buildings just up and down Escolta district. 

Check out the map to find out where the artist, art work or other art related activities are. Everything in Escolta is just a hop, skip and jump away from each other. 

Bonus tip: If you get tired from walking, you can stop by and have some ice cream to cool you down from all the skipping, hopping and the amazing, amazing art.  

Curatorial Notes: technology+heritage+people

From Project Glocal founder and lead curator Dayang Yraola's curatorial notes: 

The theme for Transi(en)t Manila is technology+heritage+people. These are three disparate actors in the present urban society. Putting them as theme of Transi(en)t Manila hypothesized that there exists a system of confluence between people, technology and heritage. 

Artists involved in the project are required to create site-specific works employing a technology of their choice (mechanical, electronic, digital, etc.). Site-specificity in this case is defined in two threads: (1) the work has to be built specifically to fit, work with, enhance, challenge the spaces in Escolta, Manila; and (2) the work has to explore, reflect and react to the history, condition and image of Escolta as heritage business district. 

Artists are given 13 days to build his/her project. Specific sites and spaces chosen along Escolta Street will be open to the public during the time of installation and production. This,  on one hand, will allow artists to clearly understand how the site actually operates, and on the other, this will give guests a rare experience in attending an "open studio" and to watch the new media artists at work. 

Outputs will be launched on specific dates as installations, performance, labs and exhibitions spread throughout the thirteen day period. 

There are three expectations on the artists projects: (1) it has to be technologically-telling, which means that it would allow the audience to recognize the technology that was used to build the work and how it adapts to the heritage site; (2) it is culturally relatable, which means that the culture of the artists and that of the audience is reflected on the work; (3) it is aesthetically inclusive, which means that the work should consider different aesthetic competencies of a diverse audience, as broad as something called  the "general public." 

Walking With Ivan

Project Glocal teamed up with Old Manila Walks to give Transi(en)t Manila’s artists not just  a look at what the city streets have to offer, but also to provide inspiration and insight that the artists may infuse into their art. 

In Plaza Miranda

Ivan ManDy lead us from 98B’s headquarters in Escolta down the road to Sta. Cruz Church, situated in the heart of Manila’s downtown. A quick backgrounder of Manila’s (and the country’s) colonial history explained why the heritage areas of Sta. Cruz, Quiapo and Binondo were once important to the country’s social, economic and cultural fabric, but has slowly decayed as the city’s centers migrated elsewhere. 

The Black Nazarene attracts believers from all walks of life. 

But more than that, early Sunday morning on the church patio opens one up to what is important to the Philippines as a people: a curious mix of faith and enterprise. At Plaza Miranda, several replicas of the Nazareno draw curious crowds of believers, street urchins bearing religious amulets are quick to wrap them around wrists and limbs and then ask for donations, there are people you can ask to pray for you, or even light a candle for specific blessings one desires. 

The Hidalgo Underpass is now an almost clean but well-lighted place. 

Down the newly renovated Hidalgo underpass, the dinginess has disappeared in the bright lights. There are many things to see and buy and eat. But as one emerges on the other side of Quezon Boulevard, a quick left turn down Bautista Street reveals the dilapidated and sorry states of what used to be grand mansions that once belonged to Manila’s rich and powerful. 

This house is more than a hundred years old. 

The house of the Nakpil-Bautista clan has been converted into a museum that preserves the mementos of its illustrious family members. The Nakpils were intimate to the figures and events that helped shaped the nation. Bonifacio’s widow Gregoria de Jesus later married into the family. A trio of paintings depicting her life with Bonifacio and Julio Nakpil adorned one of the walls. There are mini-exhibits that focused on the Katipunan and its members. There is a set of chairs which have seated Rizal et al during the founding of the La Liga Filipina in 1892. 

The ticket to Bahay Nakpil is in the form of a cedula
to keep up with the Katipunan theme. 

Next door and in a much sorrier state is the Boix House. The heritage house is owned by the Jesuits, and used to be a warren of rooms that nested nearly thirty impoverished families. A small group of artists and conservationist volunteers have been working tirelessly to clean up the over a hundred year old house and get it in a better shape before it all falls apart. 

Students from Adamson University gifted this reconstruction model plan
to the Kapitbahayan sa Kalye Bautista. 

The volunteer we talked to showed us a preservation and reconstruction plan made by students from Adamson University. While they have no money yet to put such refurbishments in place, the groups interested in preserving this heritage house holds  fund raising activities just to manage the upkeep. And yet, they were nice enough to give their visitors some foldable fans to help cool us down. “We’re all neighbors here,” the man from Kapitbahayan sa Kalye Bautista said. “We need to help each other out.” 

This rebulto needs to shape up. 

In that street, there is also a woodcarving workshop where religious sculptures are made. Sometimes, rebultos are also sent by their owners for repairs. We found the father and son team working on a female wooden santo sculpture whose proportions were too big and had to be cut down to make it more female-like--basically, it’s like liposuction for sculptures. It’s fascinating what you find if you only know where to look. 

The tour group crossed the underpass back to Plaza Miranda and made our way to Ongpin for lunch at Ang Tunay Beef House. At one o’clock in the afternoon, it was already last call for orders before they close up for siesta. After eating, we went back to where it all started, at 98B. A closing chat was given by Ivan as to what else can be found in Old Manila that might serve as inspiration for Project Glocal’s artists and allies. 

Project Glocat and Friends thank you. 

Thanks to Ivan ManDy for the perspiring and inspiring walking trip and to BM Lab for the coverage and documentation. Until the next walking trip. 

How Now, Carabao?

From Dayang Yraola's Facebook. 

Red Carabao doesn't just provide a roof over the heads of backpackers travelling to and through Manila. It's also a growing community and a second home for Team Transient's artists and crew.  Thanks for the warm welcome, Red Carabao! It will be a fun two weeks ahead of us. 

Red Carabao is at 2819 Felix Huertas St., Sta. Cruz, Manila. Check out their Facebook page here. 

Kwok Hin Tang at Pan///

Transi(en)t Manila kicks off tomorrow with the launch of HongKong artist Kwok Hin Tang's work at the Pan/// space at the Panpisco Building in Escolta tomorrow, 15 November, Saturday at 4PM. 

If you find yourself in the area early enough, there are also other things to check out in Escolta. Drop by 98B's Future Market at the First United Building, which starts at 9AM. Browse what's for sale, check out the art at Esc Project, and then stay for Kwok Hin Tang's opening. We promise it will be a blast. See you there! 

Transi(en)t Manila Calendar

Want to stay updated with the Transi(en)t Manila's comings and goings? Check out the activities calendar posted here. You can also keep posted through the Facebook events page here.